Biography

Andrei was born in Syktyvkar. In 1996 he graduated from Ufa Ballet School (now Bashkir Choreographic College named after Rudolf Nureyev). In 1996-1997, he was a member of State Theatre of Opera and Ballet of the Komi Republic.
In 1997-2001, he was a soloist at the Saint-Petersburg M. Moussorgsky State Academic Opera and Ballet Theatre.

Since 2006, he has been a soloist at the Bolshoi Theatre.

Andrei participated in the New Choreography Workshop, a project of the Bolshoi Theatre in 2006, where he showed an act “+2” with Ekaterina Krysanova to the music by G.F. Handel, staged by Vyacheslav Samodurov (London), and in 2008 they danced in the Drama Poem, which was introduced in Part I of the Workshop based on Skryabiniana by Kasian Goleyzovsky. In 2007, he took part in the ballet Old Women Falling Out to the music of L. Desyatnikov (choreography by A. Ratmansky), which was first shown at the Territory Festival, and then within the New Choreography Workshop.

In 2011, he established a scholarship fund for the best students of Bashkir Choreographic College, and in 2012 — an award at the open international ballet competition Arabesque for “Truth of the image, emotion and expressiveness”.
In 2014 he tried his hand as a choreographer and staged the ballet Yell to the music of S. Houppin, G. Vandenbroucque, E. Mellec, G. Sollima, H. Torgue, M. Richter, P. Vasks, R. Wagner based on the novel Go to Golgotha by Alexander Zinoviev at Odessa National Opera and Ballet Theatre.
In 2015, he was on the jury of the Golden Mask National Theatre Award.

Since 2016, he has worked with Moscow State Ballet as a guest leading soloist and choreographer. In 2016, he staged the one-act ballet Carmen for the theater.

 

Repertoire

He danced the following parts at the Saint-Petersburg M. Moussorgsky State Academic Opera and Ballet Theatre:

Espada, Basil (Don Quixote by L. Minkus, choreography by A. Gorsky);

Pas de trois, Spanish dance, Prince Siegfried (Swan Lake by P. Tchaikovsky, choreography by M. Petipa, L. Ivanov);

Nutcracker Prince (Nutcracker by P. Tchaikovsky; choreography by N. Boyarchikov);

Prince Desire (The Sleeping Beauty by P. Tchaikovsky; choreography by Marius Petipa, with the use of materials from the versions of F. Lopukhov, K. Sergeyev, P. Gusev);

Phoebus (Esmeralda by C. Pugni; version of N. Boyarchikov based on the choreography of J. Perrot and M. Petipa);

Solor (La Bayadere by L. Minkus; choreography by Marius Petipa);

Pierre (Halte de Cavalerie by I. Armsheime; choreography by Marius Petipa);

Paris, Valentin (Faust by Sh. Kallos; choreography by N. Boyarchikov);

Count Albrecht (Giselle by A. Adam; choreography by J. Coralli, J. Perrot, M. Petipa in a version by Yu. Grigorovich);

James (La Sylphide by H. Lovenskiold; choreography by A Bournonville).

At the Bolshoi Theatre the following parts were added to his repertoire:

2006
Yan (D. Shostakovich Bolt by D. Shostakovich; choreography by A. Ratmansky);

Jose (Carmen Suite by G. Bizet and R. Shchedrin; choreography by A. Alonso);

Miller (The Three-Cornered Hat by M. de Falla; choreography by L. Massine);

Fisherman (La Fille du Pharaon by C. Pugni; production by P. Lacotte, based on choreography by M. Petipa);

Tchaikovsky Pas de Deux (choreography by G. Balanchine);

Soloist (Middle Duet by Yu. Khanon; choreography by A. Ratmansky);

Pyotr (The Bright Stream by D. Shostakovich; choreography by A. Ratmansky);

2007
Boris (The Golden Age by D. Shostakovich; choreography by Yu. Grigorovich); Prince (Cinderella by S. Prokofiev; choreography by Yu. Posokhov);

Soloist (In the Upper Room by Ph. Glass; choreography by T. Tharp) — he was among the first dancers in this ballet at the Bolshoi Theatre;
Soloist (Misericordes by A. Part; choreography by C. Wheeldon);

Toreador (Don Quixote, choreography by M. Petipa, A. Gorsky in a version by A. Fadeyechev);

Birbanto (Le Corsaire by A. Adam; choreography by M. Petipa, production and new choreography by A. Ratmansky and Yu. Burlaka);

Soloist (Class Concert by A. Glazunov, A. Lyadov, A. Rubinstein, D. Shostakovich; choreography by A. Messerer);

Count Albrecht (Giselle by A. Adam; choreography by J. Coralli, J. Perrot, M. Petipa in a version by Yu. Grigorovich);

2008
James (La Sylphide by H. S. Levenskiold; choreography by A. Bournonville in a version by J. Kobborg);

Jerome (The Flames of Paris by B. Asfiev; production by A. Ratmansky with the use of choreography by V. Vainonen);

Basil (Don Quixote by L. Minkus, choreography by M. Petipa, A. Gorsky in a version by A. Fadeyechev);

Couple in Yellow (Russian Seasons by L. Desyatnikov, production by A. Ratmansky) — participated in the opening night of the ballet at the Bolshoi Theatre;
Ballet Dancer (The Bright Stream by D. Shostakovich; choreography by A. Ratmansky);

2009
Teacher (The Lesson by G. Delerue; production by F. Flindt);

Theta/Chronos (Zakharova Super Game by E. Palmieri; choreography by F. Ventriglia) — first dancer;
Crassus (Spartacus by A. Khachaturian; choreography by Yu. Grigorovich);

2010
Petrushka (Petrushka by I. Stravinsky; choreography by M. Fokine; new choreographic version by S. Vikharev);

Lead in Rubies (Part II of the ballet Jewels by I. Stravinsky; choreography by G. Balanchine);

Drosselmeyer (Nutcracker by P. Tchaikovsky; choreography by Yu. Grigorovich);

2011
Lucien (Lost Illusions by L. Desyatnikov; production by A. Ratmansky);

2012
part in Remanso (choreography by N. Duato);

Student (Anyuta by V. Gavrilin; choreography by V. Vasiliev);

2013
Bidet, Pedestrians, Waltz (Kvartira by Fleshquartet; production by M. Ek);

Pyotr Leontievich (Anyuta by V. Gavrilin; choreography by V. Vasiliev);

Pepinelli (Marco Spada by D. F. E. Auber; choreography by P. Lacotte vased on J. Mazilier’s version);

2014
Embryos (Kvartira);
M. Duval (Lady of the Camellias by F. Chopin; choreography by J. Neumeier) – first dancer of the part at the Bolshoi Teatre;

Pechorin (A Hero of Our Time by I. Demutsky, in Princess Mary part; choreography by Yu. Possokhov; director K. Serebrennikov).